Showing posts with label film. Show all posts
Showing posts with label film. Show all posts

Tuesday, October 25, 2011

HOLGA: I Walk at Night


I am happy with the tonal range
I hid the hot lights behind the pillar
(highlights not blown out)
TMax 100 D76 (1:1) 9.5min (Normal)

Lately I have been having this fascination with; Film, Holga, and Night Photography after reading Lance Keimig "Night Photography, Finding your way in the dark"

After spending much time dedicated to reading this book, other books and articles dedicated to night photography the time was now to execute and start producing B&W night/low-light images. Sure, I could easily produced these images with a digital camera yet that was the easy out and I needed as hard a challenge as possible to stimulate my need for photography self education.Often I am asked, Why Film at Night? I just prefer the technical side of photography/ learning process, wading out in the middle of the night alone with my camera, taking in the muted coloured tonal range and stillness of the space being photographed while my brain is spinning at a million thoughts/min and eventually the pure pleasure of producing a one of a kind piece of art (my vision) from beginning to end w/o computer intervention or people.

hellolights from street light across the street
nice details in shadow area/ highlights (far left) OK
TMax 100 D76 (1:1) 9.5min (Normal)


 The technical stats for the Holga varied from website to website making my research very difficult. However, while taking on this challenge the biggest concern was determining the f-stop (reported sometimes as f8, f11 and other times as f13) with a shutter speed around 1/125 (for use in a future projects)  Being as lost as ever I decided that the best solution to my questions were to get out and experiment on my own and since I was shooting at night and with my preferred film (TMAX100) all I needed was a time that was specific to my Holga.

The first goal in this endeavor was to produce the perfect negative (lol), by 'bracketing' to establish my base exposure using one of the following category for Night Photography according to Lance Keimig.
  • Bright street scene/lights in shot
  • Average street scene/no lights in shot 
  • Dark urban area
  • Moonlight within 1 day of full moon

highlights ok/ shadows horrible
TMax 100 D76 (1:1) 9.5min (Normal)

highlight blown out/ midtones OK
TMax 100 D76 (1:1) 9.5min (Normal)

highlight blown out/ midtones on edge
TMax 100 D76 (1:1) 9.5min (Normal)

To Do List


Expose for the shadows with texture and/or details...based on the Zone System this is 'Zone III'

After determining what the highlights are based on the Zone, Develop for the highlights with texture and/or details, 'Zone VII'  If the highlights fall above or below this range you should develop your film (N-2, N-1, N, N+1, N+2) to return it to 'Zone VII'  

Work in Process


To assure to get the results I wanted, I bought all the required equipment and cleared out space in a closet to develop my film at home. After 3 rolls of film, I finally found a suitable base exposure for Avg street scene/no lights in shot. Bright street scene/lights in shot, needs work with my developing to bring the highlights down and prevent them from blowing out (I won't be able to hide all the street lights in my world)

Thursday, March 3, 2011

My Photography Independent Study

Darnell Bates B&W minimalist, Landscape Photographer for DB8S Photography,  Long Beach, CA 2011. (DB8S Photo/Darnell Bates)
My attempt at understanding the zone system


This semester I have decided to back up and really focusing hard on the technical side of my photography. As a landscape photographer (with a preference for B&W film and major interest in Night/Low Light Photography) I am finding that in order to gain this knowledge, I needed to take the time and learn that in which I am not learning via my standard instructions at LBCC and teach myself.

My Goals: 

  • Learn the Zone System and Hyperfocal Distance
  • Looooong Exposure
  • Study the Romantic Period and Minimalism
  • Study the Olde Master 
    • Ansel Adam
    • Eadweard Muybridge
    • Carleton E. Watkins
    • William Henry Jackson
    • Dorothea Lange
Tools
  • "Ansel Adams and the Photographers of the American West" by Eva Weber (read)
  • "The Land Through A Lens" Highlights from the Smithsonian American Art Museum (read)
  • "Night Photography" by Lance Keimig (read)
  • "Night and Low Light Photography" by Jill Waterman (read)
  • Many hours of Podcast (faves Photography.ca and Harvard Extension School's Computer Science)
  • Many hours of viewing actual and digital images (museums and on-line)
  • Images captured via 35mm & 120 Holga
  • ND Filters
Starting Monday (Feb 7) I will begin to process more film and see if the studies have progressed my work.

  • I learned that "The Print" is EVERYTHING 
  • You are only as good as your series.

Sunday, January 9, 2011

HAPPY NEW YEAR! (again) - DAY 0




After an after action review of the olde goals for 2010 they are 
tossed out and in with the "New Goals for 2011" These goals 
will stay on track with my five year plan, for life, art, friends, 
spirituality, family, love, liberty, and pursuit of more happiness.

Wednesday, December 22, 2010

Somtimes.....You Gotta!

"Pier Moment" DB8S © 2009
"click on image for a larger view"

In order to protect yourself and others "Shut it Down" aka "Take a Break!"
Be mindful of your health at all times and especially during this time of year. Your family, friends, loved ones, and the world are dependent on you.

B&W film - "I Love It!"
--------------------------------------------------------- 

image note

My cousinne Cheyenne was starting her 1st quarter at UCSB and my friend Anders bought the "Red Beast" so we went for a road trip to visit her in Santa Barbara and camped out at Gaviota State Park

pier [pɪə] (n) - a structure that allows people or vehicles to cross an obstacle
.
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